Publication:
Reflections of Popular Culture on Art: Reconstruction of Classical Works

dc.authorwosidZorluoglu, Ayca/J-1238-2013
dc.authorwosidKaya, Asuman/G-9359-2019
dc.contributor.authorYilmaz, Ayca
dc.contributor.authorKir, Bilal
dc.contributor.authorKaya, Asuman
dc.contributor.authorIDKir, Bi̇lal/0000-0001-9778-1453
dc.contributor.authorIDYılmaz, Ayça/0000-0002-9350-4675
dc.contributor.authorIDKaya, Asuman/0000-0003-3074-0643
dc.date.accessioned2025-12-11T01:27:23Z
dc.date.issued2025
dc.departmentOndokuz Mayıs Üniversitesien_US
dc.department-temp[Kir, Bilal] Ondokuz Mayis Univ, Fac Commun, Dept Commun & Design, Samsun, Turkiye; [Kaya, Asuman] Eskisehir Tech Univ, Porsuk Vocat Sch, Dept Visual Audio Tech & Media Prod, Tepebasi, Turkiyeen_US
dc.descriptionKir, Bi̇lal/0000-0001-9778-1453; Yılmaz, Ayça/0000-0002-9350-4675; Kaya, Asuman/0000-0003-3074-0643en_US
dc.description.abstractThis article examines the influence of popular culture and consumer culture on works of art through the analysis of three selected pieces, chosen using a purposeful sampling method. The research aims to deeply analyze the formal characteristics and layers of meaning of these selected works within the context of art criticism. To understand the intersection of popular culture and art, three works by Dave Pollot, humorously and critically reinterpreted, were selected as examples: The First Anatomy Lesson, The Commission, and Wonder-lust. During the analysis process, Terry Barrett's approaches to art criticism, particularly description and interpretation, were chosen as they align with the study's purpose and scope. The concepts of appropriation and anachronism are also addressed in the analyzed works, as these pieces are involved in the process of reproduction. The findings of the study indicate that while elements of popular culture tend to trivialize art by rendering it more superficial, they also enhance its accessibility and potential to connect with wider audiences. The impact of popular culture on works of art is interpreted not only as a commercial transformation process but also as one that reshapes the social meaning of art. However, it is argued that this transformation should be guided in a manner that preserves the critical power and depth of art.en_US
dc.description.woscitationindexEmerging Sources Citation Index
dc.identifier.doi10.20488/sanattasarim.1717302
dc.identifier.endpage239en_US
dc.identifier.issn2146-9059
dc.identifier.issue1en_US
dc.identifier.startpage215en_US
dc.identifier.trdizinid1318594
dc.identifier.urihttps://doi.org/10.20488/sanattasarim.1717302
dc.identifier.urihttps://search.trdizin.gov.tr/en/yayin/detay/1318594/populer-kulturun-sanat-uzerindeki-yansimalari-klasik-eserlerin-yeniden-insasi
dc.identifier.urihttps://hdl.handle.net/20.500.12712/43881
dc.identifier.volume15en_US
dc.identifier.wosWOS:001525027300007
dc.language.isotren_US
dc.publisherAnadolu Univen_US
dc.relation.ispartofAnadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Designen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectDesignen_US
dc.subjectPopular Cultureen_US
dc.subjectConsumer Cultureen_US
dc.subjectArtwork Analysisen_US
dc.subjectDigital Arten_US
dc.titleReflections of Popular Culture on Art: Reconstruction of Classical Worksen_US
dc.typeArticleen_US
dspace.entity.typePublication

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